CORPORATE VIDEO · LONDON & BEYOND
Interviews, short films, and event coverage.
Films about people and the work they do, from one interview to the record of a whole day. I film and edit them myself. That is also why the film and the photographs can come off the same visit. Most people do not realise that is possible.
Filmed and edited by one person · London based · UK and beyond
WHAT I MAKE
Three kinds of film.
01
Interviews & talking heads
People on camera, put at ease first. For your website or your hiring, anywhere a face and a voice work harder than a paragraph.
02
Short films & documentary work
A few minutes about a person, a team or a place, told properly, with real voices and a clear story.
03
Event films
Full recordings of talks and panels in 4K, or a short highlight cut with music. The record of the day, done without fuss.
RECENT WORK
Four films, four different jobs.
Watch the one closest to what you have in mind.
InisRé · Designing With Light
A short film made with InisRé about designing with light.
Innovation in Action
An event film. A panel on using AI and data in underwriting, recorded as it happened.
Lloyd’s Lab accelerator project
A short film about a Lloyd’s Lab accelerator project.
Mindful Photo Lab
A short documentary. Pierre Bureau runs photography workshops in East London, and he and the people who come to them talk about what the workshops give them.
ONE PERSON, BOTH CAMERAS
The stills and the film can come off the same day.
Most companies book a photographer, then book a video company, then find the two crews want the same corner of the same room at the same time. Booking both from me is one visit, one set of dates and one invoice, and your speakers only have to be brave once.
There is a limit and I would rather say it now than after you have booked. While I am filming I am not photographing.
PRACTICAL
Things people ask.
Can we get subtitles?
Yes. I can transcribe the video and add subtitles. Useful for talks, and for anyone watching with the sound off.
Can you photograph the event as well?
Not while I am filming, because I would miss things that matter. An event that needs both done properly gets a second photographer, priced in from the start.
Do you work outside London?
Yes, video especially. Interviews and films travel well, and I go where the work is if the fee covers getting there.
What can we use the film for?
Everything you make and put out yourselves, anywhere in the world, for as long as you like. The line is whether you are paying for the space: a boosted post, a YouTube pre-roll, an advert in a magazine. That is advertising, and it gets quoted separately.
One extra thing with video. Beyond my own licence, a film carries other people’s: the music, any stock footage, and the people on camera. Those are fine for everyday business use. Television, cinema and big national campaigns need clearing first, and that is easier and cheaper to sort before the shoot than after it, so tell me early if a film might go that way.
Who owns the film?
I keep the copyright, the same as with photographs, and you get the right to use it. That is how corporate video normally works, and it makes no practical difference to what you can do: the finished film is yours to use for running your business, anywhere, for as long as you like.
What stays with me is the raw footage, the unedited material the film was cut from. If you need that as well, say so and we will sort it out.
Every film is different, so video is quoted per job. Tell me what you are trying to say and who needs to see it, and I will come back with a price.
